The Works of Edgar Allan Poe — Volume 3

By Edgar Allan Poe

Page 160

the papers, if
ultimately found, will be given to the public.

No means have been left untried to remedy the deficiency. The gentleman
whose name is mentioned in the preface, and who, from the statement
there made, might be supposed able to fill the vacuum, has declined
the task--this, for satisfactory reasons connected with the general
inaccuracy of the details afforded him, and his disbelief in the entire
truth of the latter portions of the narration. Peters, from whom
some information might be expected, is still alive, and a resident of
Illinois, but cannot be met with at present. He may hereafter be found,
and will, no doubt, afford material for a conclusion of Mr. Pym’s
account.

The loss of two or three final chapters (for there were but two or
three) is the more deeply to be regretted, as it can not be doubted they
contained matter relative to the Pole itself, or at least to regions in
its very near proximity; and as, too, the statements of the author in
relation to these regions may shortly be verified or contradicted by
means of the governmental expedition now preparing for the Southern
Ocean.

On one point in the narrative some remarks may well be offered; and it
would afford the writer of this appendix much pleasure if what he may
here observe should have a tendency to throw credit, in any degree, upon
the very singular pages now published. We allude to the chasms found in
the island of Tsalal, and to the whole of the figures upon pages 245-47
{of the printed edition--ed.}.

(Note: No figures were included with this text)

Mr. Pym has given the figures of the chasms without comment, and
speaks decidedly of the _indentures _found at the extremity of the
most easterly of these chasms as having but a fanciful resemblance to
alphabetical characters, and, in short, as being positively _not such.
_This assertion is made in a manner so simple, and sustained by a
species of demonstration so conclusive (viz., the fitting of the
projections of the fragments found among the dust into the indentures
upon the wall), that we are forced to believe the writer in earnest;
and no reasonable reader should suppose otherwise. But as the facts in
relation to all the figures are most singular (especially when taken in
connection with statements made in the body of the narrative), it may
be as well to say a word or two concerning them all--this, too, the more
especially as the facts in question have, beyond doubt, escaped the
attention of Mr. Poe.

Figure 1, then, figure 2, figure 3, and figure

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Text Comparison with The Raven and The Philosophy of Composition

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_ _Lenore_ ] [Illustration] The Raven and The Philosophy of Composition By Edgar Allan Poe Quarto Photogravure Edition Illustrated from Paintings by Galen J.
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The Philosophy of Composition The Raven ------------------------------------------------------------------------ Foreword The initial intention of the publishers to present “The Raven” without preface, notes, or other extraneous matter that might detract from an undivided appreciation of the poem, has been somewhat modified by the introduction of Poe’s prose essay, “The Philosophy of Composition.
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first, cast about him for some mode of accounting for what had been done.
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In general, suggestions, having arisen pell-mell, are pursued and forgotten in a similar manner.
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A few words, however, in elucidation of my real meaning, which some of my friends have evinced a disposition to misrepresent.
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Regarding, then, Beauty as my province, my next question referred to the tone of its highest manifestation—and all experience has shown that this tone is one of sadness.
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This led me at once to a single word as the best refrain.
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And here it was that I saw at once the opportunity afforded for the effect on which I had been depending—that is to say, the effect of the variation of application.
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Here, then, the poem may be said to have its beginning—at the end, where all works of art should begin—for it was here, at this point of my pre-considerations, that I first put pen to paper in the composition of the stanza: “Prophet!” said I, “thing of evil!—prophet still, if bird or devil! By that heaven that bends above us—by that God we both adore— Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore— Clasp a rare and radiant maiden whom the angels name Lenore.
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About the middle of the poem, also, I have availed myself of the force of contrast, with a view of.
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From this epoch the lover no longer jests—no longer sees anything even of the fantastic in the Raven’s demeanour.
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The Raven, addressed, answers with its customary word, “Nevermore,” a word which finds immediate echo in the melancholy heart of the student, who, giving utterance aloud to certain thoughts suggested by the occasion, is again startled by the fowl’s repetition of “Nevermore.
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“’Tis some visitor,” I muttered, “tapping at my chamber door— Only this and nothing more.
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Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door— Perched upon a bust of Pallas just above my chamber door— Perched, and sat, and nothing more.
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“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee Respite—respite and nepenthe from thy memories of Lenore; Quaff, oh quaff this kind nepenthe and forget this lost Lenore!” Quoth the Raven, “Nevermore.
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