The Works of Edgar Allan Poe — Volume 2

By Edgar Allan Poe

Page 167

seen to
sweep, still following the general course of the stream. Down this new
opening the eye cannot penetrate very far; for the stream, accompanied
by the wall, still bends to the left, until both are swallowed up by the

The boat, nevertheless, glides magically into the winding channel; and
here the shore opposite the wall is found to resemble that opposite
the wall in the straight vista. Lofty hills, rising occasionally into
mountains, and covered with vegetation in wild luxuriance, still shut in
the scene.

Floating gently onward, but with a velocity slightly augmented, the
voyager, after many short turns, finds his progress apparently barred by
a gigantic gate or rather door of burnished gold, elaborately carved and
fretted, and reflecting the direct rays of the now fast-sinking sun
with an effulgence that seems to wreath the whole surrounding forest in
flames. This gate is inserted in the lofty wall; which here appears to
cross the river at right angles. In a few moments, however, it is seen
that the main body of the water still sweeps in a gentle and extensive
curve to the left, the wall following it as before, while a stream of
considerable volume, diverging from the principal one, makes its way,
with a slight ripple, under the door, and is thus hidden from sight.
The canoe falls into the lesser channel and approaches the gate. Its
ponderous wings are slowly and musically expanded. The boat glides
between them, and commences a rapid descent into a vast amphitheatre
entirely begirt with purple mountains, whose bases are laved by a
gleaming river throughout the full extent of their circuit. Meantime
the whole Paradise of Arnheim bursts upon the view. There is a gush
of entrancing melody; there is an oppressive sense of strange sweet
odor,--there is a dream-like intermingling to the eye of tall
slender Eastern trees--bosky shrubberies--flocks of golden and crimson
birds--lily-fringed lakes--meadows of violets, tulips, poppies,
hyacinths, and tuberoses--long intertangled lines of silver
streamlets--and, upspringing confusedly from amid all, a mass of
semi-Gothic, semi-Saracenic architecture sustaining itself by miracle in
mid-air, glittering in the red sunlight with a hundred oriels, minarets,
and pinnacles; and seeming the phantom handiwork, conjointly, of the
Sylphs, of the Fairies, of the Genii and of the Gnomes.


A Pendant to "The Domain of Arnheim"

DURING A pedestrian trip last summer, through one or two of the river
counties of New York, I found myself, as the day declined, somewhat
embarrassed about the road I was pursuing. The land undulated very
remarkably; and my path, for the last hour, had wound about and about

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