The Works of Edgar Allan Poe — Volume 1

By Edgar Allan Poe

Page 186

by Express, _via_ Norfolk!--The Atlantic
crossed in Three Days! Signal Triumph of Mr. Monck Mason's Flying
Machine!--Arrival at Sullivan's Island, near Charlestown, S.C., of
Mr. Mason, Mr. Robert Holland, Mr. Henson, Mr. Harrison Ainsworth,
and four others, in the Steering Balloon, "Victoria," after a passage
of Seventy-five Hours from Land to Land! Full Particulars of the
Voyage!

The subjoined _jeu d'esprit_ with the preceding heading in
magnificent capitals, well interspersed with notes of admiration, was
originally published, as matter of fact, in the "New York Sun," a
daily newspaper, and therein fully subserved the purpose of creating
indigestible aliment for the _quidnuncs_ during the few hours
intervening between a couple of the Charleston mails. The rush for
the "sole paper which had the news," was something beyond even the
prodigious; and, in fact, if (as some assert) the "Victoria" _did_
not absolutely accomplish the voyage recorded, it will be difficult
to assign a reason why she _should_ not have accomplished it.]

THE great problem is at length solved! The air, as well as the earth
and the ocean, has been subdued by science, and will become a common and
convenient highway for mankind. _The Atlantic has been actually crossed
in a Balloon!_ and this too without difficulty--without any great
apparent danger--with thorough control of the machine--and in the
inconceivably brief period of seventy-five hours from shore to shore!
By the energy of an agent at Charleston, S.C., we are enabled to be
the first to furnish the public with a detailed account of this most
extraordinary voyage, which was performed between Saturday, the 6th
instant, at 11, A.M., and 2, P.M., on Tuesday, the 9th instant, by Sir
Everard Bringhurst; Mr. Osborne, a nephew of Lord Bentinck's; Mr. Monck
Mason and Mr. Robert Holland, the well-known æronauts; Mr. Harrison
Ainsworth, author of "Jack Sheppard," &c.; and Mr. Henson, the
projector of the late unsuccessful flying machine--with two seamen from
Woolwich--in all, eight persons. The particulars furnished below may be
relied on as authentic and accurate in every respect, as, with a slight
exception, they are copied _verbatim_ from the joint diaries of Mr.
Monck Mason and Mr. Harrison Ainsworth, to whose politeness our agent is
also indebted for much verbal information respecting the balloon itself,
its construction, and other matters of interest. The only alteration in
the MS. received, has been made for the purpose of throwing the hurried
account of our agent, Mr. Forsyth, into a connected and intelligible
form.

"THE BALLOON.

"Two very decided failures, of late--those of Mr.

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Text Comparison with The Raven and The Philosophy of Composition

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The Raven and The Philosophy of Composition [Illustration] [Illustration: _Copyright 1906 by The Harwell-Evans Co.
Page 1
It is felt that no other introduction could be more happily conceived or executed.
Page 2
There is a radical error, I think, in the usual mode of constructing a story.
Page 3
What we term a long poem is, in fact, merely a succession of brief ones—that is.
Page 4
That pleasure which is at once the most intense, the most elevating, and the most pure, is, I believe, found in the contemplation of the beautiful.
Page 5
Truth, in fact, demands a precision, and Passion a homeliness (the truly passionate will comprehend me) which are absolutely antagonistic to that Beauty which, I maintain, is the excitement, or pleasurable elevation, of the soul.
Page 6
Since its application was to be repeatedly varied, it was clear that the refrain itself must be brief, for there would have been an insurmountable difficulty in frequent variations of application in any sentence of length.
Page 7
And here it was that I saw at once the opportunity afforded for the effect on which I had been depending—that is to say, the effect of the variation of application.
Page 8
And here I may as well say a few words of the versification.
Page 9
About the middle of the poem, also, I have availed myself of the force of contrast, with a view of.
Page 10
By the grave and stern decorum of the countenance it wore, “Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore— Tell me what thy lordly name is on the Night’s Plutonian shore!” Quoth the Raven, “Nevermore.
Page 11
It is the excess of the suggested meaning—it is the rendering this the upper- instead of the under-current of the theme—which turns into prose (and that of the very flattest kind) the so-called poetry of the so-called transcendentalists.
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seek a moral in all that has been previously narrated.
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_] [Illustration] Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning—little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door— Bird or beast upon the sculptured bust above his chamber door, With such name as “Nevermore.
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“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee Respite—respite and nepenthe from thy memories of Lenore; Quaff, oh quaff this kind nepenthe and forget this lost Lenore!” Quoth the Raven, “Nevermore.
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e.