The Complete Poetical Works of Edgar Allan Poe Including Essays on Poetry

By Edgar Allan Poe

Page 45

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"A Valentine," one of three poems addressed to Mrs. Osgood, appears to
have been written early in 1846.

* * * * *


"An Enigma," addressed to Mrs. Sarah Anna Lewig ("Stella"), was sent to
that lady in a letter, in November 1847, and the following March
appeared in Sartain's 'Union Magazine'.

* * * * *


The sonnet, "To My Mother" (Maria Clemm), was sent for publication to
the short-lived 'Flag of our Union', early in 1849, but does not appear
to have been issued until after its author's death, when it appeared in
the 'Leaflets of Memory' for 1850.

* * * * *


"For Annie" was first published in the 'Flag of our Union', in the
spring of 1849. Poe, annoyed at some misprints in this issue, shortly
afterwards caused a corrected copy to be inserted in the 'Home Journal'.

* * * * *

10. TO F----

"To F----" (Frances Sargeant Osgood) appeared in the 'Broadway Journal'
for April 1845. These lines are but slightly varied from those inscribed
"To Mary," in the 'Southern Literary Messenger' for July 1835, and
subsequently republished, with the two stanzas transposed, in 'Graham's
Magazine' for March 1842, as "To One Departed."

* * * * *


"To F--s S. O--d," a portion of the poet's triune tribute to Mrs.
Osgood, was published in the 'Broadway Journal' for September 1845. The
earliest version of these lines appeared in the 'Southern Literary
Messenger' for September 1835, as "Lines written in an Album," and was
addressed to Eliza White, the

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Text Comparison with Selections from Poe

Page 8
Sometimes he fought his weakness successfully for several years, but always it conquered in the end.
Page 10
The themes of nearly all the poems are death, ruin, regret, or failure; the verse is original in form, and among the most musical in the language, full of a haunting, almost magical melody.
Page 13
This is one secret of the magical art that not only transports us to the world of dream and vision where the author's own soul roamed, but for the time makes it all real to us.
Page 19
Why preyest thou thus upon the poet's heart, Vulture, whose wings are dull realities? How should he love thee? or how deem thee wise, 5 Who wouldst not leave him in his wandering To seek for treasure in the jewelled skies, Albeit he soared with an undaunted wing? Hast thou not dragged Diana from her car, And driven the Hamadryad from the wood .
Page 38
ULALUME The skies they were ashen and sober; The leaves they were crispéd and sere, The leaves they were withering and sere; It was night in the lonesome October Of my most immemorial year; 5 It was hard by the dim lake of Auber, In the misty mid region of Weir: It was down by the dank tarn of Auber, In the ghoul-haunted woodland of Weir.
Page 41
Page 52
I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment with which the mind usually receives even the sternest natural images of the desolate or terrible.
Page 54
In this there was much that reminded one of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air.
Page 69
Thenceforward my voice was a household law; and at an age when few children have abandoned their leading-strings I was left to the guidance of my own will, and became, in all but name, the master of my own actions.
Page 70
What impressions of deep awe did it inspire! It was never opened save for the three periodical egressions and ingressions already mentioned; then, in every creak of its mighty hinges, we found a plenitude of mystery--a world of matter for solemn remark, or for more solemn meditation.
Page 87
"We are now," he continued, in that particularizing manner which distinguished him--"we are now close upon the Norwegian coast--in the sixty-eighth degree of latitude--in the great province of Nordland--and in the dreary district of Lofoden.
Page 88
As the old man spoke, I became aware of a loud and gradually increasing sound, like the moaning of a vast herd of buffaloes upon an American prairie; and at the same moment I perceived that what seamen term the _chopping_ character of the ocean beneath us, was rapidly changing into a current which set to the eastward.
Page 89
In a few minutes more, there came over the scene another radical alteration.
Page 93
This was most unusual--something that had never happened to us before--and I began to feel a little uneasy, without exactly knowing why.
Page 99
I could not help observing, nevertheless, that I had scarcely more difficulty in maintaining my hold and footing in this situation, than if we had been upon a dead level; and this, I suppose, was owing to the speed at which we revolved.
Page 108
The vegetation, as might be supposed, is scant, or at least dwarfish.
Page 115
Jupiter, bring me that _scarabæus_!" "What! de bug, massa? I'd rudder not go fer trubble dat bug--you mus git him for your own self.
Page 129
With your left hand you caressed him and kept him off, while your right, holding the parchment, was permitted, to fall listlessly between your knees, and in close proximity to the fire.
Page 141
The individual who purloined it is known; this beyond a doubt; he was seen to take it.
Page 156
Gayley's "Classic Myths in English Literature" (Ginn & Company, $1.